As I mentioned in my unboxing of Arcam’s new A25 integrated amplifier ($1499, all prices in USD) on SoundStage! Access, I have an incredible hardwired affection for the brand that I feel compelled to mention right up front—not to bias you, dear reader, but simply to lay bare my own biases. Because I can’t help but think that those biases affect the way I view and interact with a product like the A25’s companion piece, the ST5 streamer ($799).
As readers of my articles on Simplifi will likely know, my primary music-management application is Roon and has been for almost as long as I’ve been writing for SoundStage! But before that I used Audirvana as my main music-player app, and I liked it a lot. Audirvana has been through many changes since I switched to Roon. I thought it would be interesting to revisit it.
Read more: The French Connection—Is Audirvana a Worthy Alternative to Roon?
Ever since I got into file-based playback in 2011, I’ve consistently used an Apple Mac Mini as a music server—but lately, I’ve changed things up a bit. For the past few months, I’ve been using a Roon Nucleus One to stream music throughout my home and play music through headphones. Priced at $499.99 (all prices in USD), the Nucleus One has one purpose and one purpose only: to run Roon Server software.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
When spring arrives, decluttering becomes a priority for me. Blame it on my OCD, but I want to clear everything out and start afresh. Yet, you can’t get rid of everything—some things are essential. If you’re a music lover, a serious sound system is one of those essentials. Sure, a phone with a Bluetooth speaker can play tunes, but if you really want to feel the music, to have it calm you down or get you dancing, a more capable system is in order. A streaming integrated amplifier like the Rotel RAS-5000 ($2999.99, all prices in USD) coupled with a set of nice loudspeakers might be the ticket. Just connect it to your home network and start streaming. You can also connect external source components, such as a disc player, HDTV, and personal computer.
Somewhere in the middle of 2015, the whole Apple ecosystem—at least with regard to ripping music and plonking it onto my iPhone—stopped working for me. In fact, I can pin it down to sometime between May 1 and August 1 of that year. I know this because, until very recently, the newest Grateful Dead CD rip to make its way onto my iPhone was Dave’s Picks, Volume 14 (Academy of Music, New York, NY 3/26/72). Thereafter, every time I tried to sync my ripped music to my iPhone (be it my 6s Plus, 8 Plus, or 12 Pro Max), I was met with a dreaded “Waiting for sync to start” error that never resolved itself, even when I left my phone plugged into my PC overnight.
During the first few months of 2024, I’ve seen some killer deals on the kind of hi-fi gear I most like. Seeing these deals has led me to ask some questions about the nature of Simplifi’d hi-fi, and to wonder how widely my preferences are shared.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
I love it when a hi-fi manufacturer gets into a groove, and Marantz seems to be doing exactly that with its recent two-channel gear. For a while now, the upper end of the company’s two-channel range has been dominated by two-piece solutions, with an all-analog integrated amplifier handling preamplification, source-switching, volume control, and power duties, and a separate disc player/streamer/DAC doing everything else—well, everything except for vinyl and tape playback.
In a sense, what you’re reading here is a review of two different products—the LSX II LT active speaker system that KEF announced on January 18 of this year, and the LSX II system on which it’s based.
Lately, I’ve noticed that a growing number of products reviewed on Simplifi and other sites on the SoundStage! Network are only available for purchase online. Here are some examples: Denmark’s Buchardt Audio, whose Anniversary 10 active loudspeaker I reviewed on February 1, sells exclusively over the internet. So does Norway’s Arendal Sound, whose 1723 Tower S loudspeaker Philip Beaudette recently reviewed on SoundStage! Hi-Fi. Fluance and Axiom Audio, both based in Canada, sell exclusively online. Thom Moon has enthusiastically reviewed several Fluance products on SoundStage! Access, most recently the RT81+ turntable and Reference XL8F loudspeaker.
Every hobby has its killjoys—and audio has more than its share. I’m thinking of purists who insist that there’s only one right way to listen to reproduced music: with your head locked in the sweet spot between a pair of speakers. Members of this party’s fanatical wing may have other bugaboos, too. DSP—not allowed! Lossy compression—intolerable! Listen through a Bluetooth speaker out on the patio? Anathema! Listen through a smart speaker while you prepare dinner? Sacrilege!
Read more: Bluesound Pulse M Streaming Tabletop Music System
In 2023, Denmark’s Buchardt Audio celebrated its tenth anniversary. To mark the occasion, the company released a new active speaker, the Anniversary 10 (A10), which is the subject of this review. In October 2020, I reviewed Buchardt’s A500 active speaker and was wowed by it. The A500 received a Reviewers’ Choice award and then won a 2020 SoundStage! Network Product of the Year award for Innovation in Design. So when Buchardt Audio announced the A10 last summer, I immediately emailed CEO and founder Mads Buchardt to request a pair for review.
Read more: Buchardt Audio Anniversary 10 Active Loudspeaker and Platin Stereo Hub WiSA Transmitter
Back in January 2017, in the first review ever published on SoundStage! Simplifi, Al Griffin wrote, “What makes me think the wireless category has finally, truly arrived are new options from companies such as Dynaudio and Devialet—wireless, powered speakers that provide high-performance alternatives to traditional wired hi-fi systems.” Al was evaluating the Bang & Olufsen Beosound 2 in that review, and he wrote it with serious listeners in mind for whom the sound system—its performance and its continual refinement—is an important part of the experience.
Read more: Bang & Olufsen Beosound Balance Active Loudspeaker
Kanto Audio is a Canadian-based consumer electronics company, with headquarters near Vancouver, British Columbia. Its offerings include powered and passive desktop and bookshelf speakers, a powered subwoofer, and three types of speaker stands. For this review, Kanto sent me its latest offering, the ORA Reference desktop speaker system ($349.99, all prices in USD), along with its SUB8 powered subwoofer ($269.99) and two pairs of desktop speaker stands, the S2 and SE2 ($29.99 and $39.99).
Harman International Industries, as many readers know, owns several highly regarded home-audio brands: AKG, Arcam, Harman Kardon, JBL, Lexicon, Mark Levinson, and Revel, among others. Fewer know that Harman is also involved in pro audio and automotive electronics. On November 27, Harman announced a further expansion to its ambit with the acquisition of Roon Labs, a move that caught almost everyone in the hi-fi world by surprise, including me. Harman itself was acquired by Samsung Electronics in 2017 and operates as an autonomous subsidiary of the South Korean giant.
Read more: Harman International Has Bought Roon Labs—What Comes Next?
There’s a short answer to the question posed by the title of this article: “Of course they do.” I could leave it at that, in which case this would be the shortest article ever published on the SoundStage! Network. A slightly longer answer is that the place of physical media in Simplifi’d hi-fi is declining, just as it is in hi-fi in general. But make no mistake—vinyl and CD are still relevant.
Read more: Getting Physical—Do LPs and CDs Have a Place in Simplifi’d Hi-Fi?
When I first got into this hobby, a half-century ago, a common entry point was a starter system comprising a base-model stereo receiver, a basic turntable, and a pair of bookshelf speakers. For a system with junky house-brand speakers, you’d pay $250 to $300 (all prices in USD except where noted), or $400-plus for a system with name-brand speakers—say, a pair of Dynaco A25s or EPI 100s.
Read more: Elipson Prestige Facet 6B BT Powered Loudspeaker System
Since 2018, the SoundStage! Network has been a member of the Expert Imaging and Sound Association. Each year, EISA presents awards in six categories: photography, mobile devices, in-car electronics, home-theater display, home-theater audio, and hi-fi. The SoundStage! Network is a voting member in the hi-fi category.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
It’s been a couple of years since Bluesound introduced the latest iteration of the company’s award-winning Node streaming device. After being favorably reviewed by Gordon Brockhouse in 2021, it received a SoundStage! Network Product of the Year award in the Exceptional Value category. The Node ($599, all prices USD) is widely considered one of the most fully featured music streamers available at anywhere near its price point. For the brand’s 10th anniversary, Bluesound decided to release a special edition of the Node. Priced at $749, the Node X isn’t meant to replace the current generation of the Node. It will be available for a limited but unspecified period.
I bet there are loads of people who would love to have a good audio system in a room where it’s impractical to deploy a pair of freestanding loudspeakers. I also bet there are many others whose living space can accommodate freestanding speakers but whose significant other won’t.
Read more: System Audio Silverback 1 Active On-Wall Speaker System and Stereo Hub
Based in Florence, Italy, Volumio is best known for its open-source music-management software, which has become very popular with DIYers looking to build a headless music streamer on the cheap. But Volumio also offers three domestically manufactured streaming products: the Rivo streamer, Primo streaming DAC, and Integro streaming integrated amplifier, the subject of this review. With a streamer, a DAC, and an amplifier combined in a single elegant chassis, the Integro needs just a pair of speakers, and it’s ready to play.
Did this heading just make you do a double take? I wouldn’t be surprised if it did because Wi-Fi and turntable are two words you don’t expect to see back-to-back. Indeed, Pro-Ject Audio Systems’ T2 W ($1199; all prices in USD unless noted otherwise) is the first product of its kind: a turntable that can stream audio over a home network to multiple devices.
Read more: Pro-Ject Audio Systems T2 W Wi-Fi Turntable with Sumiko Rainier Cartridge
In mid-July, a SoundStage! reader posed this question on SoundStage! founder Doug Schneider’s LinkedIn page: “Can someone point me to an article that tells me in simple terms why I should be using Roon?”
I think marketing geniuses can sometimes be too smart for the good of the companies they’re trying to promote. Consider the slogan that Klipsch Audio Technologies came up with in 2021 to celebrate the brand’s 75th anniversary: “Pissing off the neighbors since 1946.” The company even created a “Pissing Off the Neighbors” edition of its RB-81 MkII bookshelf loudspeaker (now discontinued).
Sometimes when things don’t work out the way you’d planned, it’s all for the best. This article is a case in point. In my June 1 feature, “Lakeside Streaming,” I explained how I’ve made it simple for guests to stream video and music to the various TVs and smart speakers in our vacation home. In the conclusion of that article, I noted that I use Roon for music playback at home and explained how the Roon ARC app lets me access my Roon library when I’m away from home. “But Roon ARC is a subject all of its own,” I added, “which I’ll tackle later this summer.” That time has now come.
Note: for the full suite of measurements from the SoundStage! Audio-Electronics Lab, click this link.
From the perspective of a pre-teen in the late 1970s, it seemed as if hi-fi was everywhere, and separate components ruled. In our living room, we had shag-white carpet, a Dual turntable, and a Marantz cassette deck and receiver. I remember the receiver’s gorgeous blue front lighting and joy-to-use Gyro Wheel tuner. A pair of Pioneer speakers with lustrous woodgrain cabinets rounded out the system. But I envied neighbors who had flashier systems from JVC, Sansui, and Technics. One friend had a complete silver Pioneer system at home, including the stunning CT-F1000 cassette deck, which I lusted after but couldn’t possibly afford. So, I compromised. I saved $200 from my allowance and summer jobs and bought a Panasonic all-in-one, which included a turntable, receiver, cassette deck, and matching speakers—my first stereo system.
Read more: Bluesound Powernode Edge Streaming Integrated Amplifier
In early May, a curious factoid popped up in my news feed. According to a 2023 study by Los Angeles–based Luminate, a sales analysis company that specializes in entertainment and media, only half of those who bought vinyl records during the previous year actually owned a turntable. Weird!
Among my better half’s innumerable gifts is an acute nose for real estate. I experienced this firsthand seven years ago, when we were enjoying a two-week holiday in Southampton, Ontario—a funky little Canadian beach town on Lake Huron. In addition to its lovely beaches, Southampton has some excellent restaurants, good shopping, an interesting history, and glorious sunsets.
Read more: Lakeside Streaming—Network Entertainment at a Vacation Home
When I told SoundStage! Network founder Doug Schneider about the NAD CS1, he asked a simple question: “Who’s this product for?” Lots of people, I responded. My brother, Ian, and his wife, Roberta. My sister-in-law, Petrea, and her husband, Paul. And a whole bunch of other folks. Priced at $349 (all prices in USD), the CS1 is aimed at listeners who want to stream music from their smart devices to a sound system that lacks network connectivity—without having to install special apps.
As I was taking a second pass through my rough draft of the intro for this review, it occurred to me that I was effectively aping the theme song for Cheers. It seems to me that the hardest part of making your way in today’s world of connected, streaming, networked, Bluetoothed, AirPlayed, Chromecasted audio—especially for a traditional hi-fi company—is figuring out how to spin what makes your thing different from any number of other things that do the same thing, not to mention how to compete with the Sonoses, BluOSes, and HEOSes of the world.
Making predictions is a risky business. You can look like a genius if things work out the way you say they will, or a doofus if they don’t. In my annual “State of Streaming” feature, which was published February 15 on Simplifi, I made four predictions: Spotify would finally launch its lossless music service; Apple would release its long-awaited classical-music app; Apple might introduce an enhanced version of AirPlay that supports hi-rez audio (and possibly spatial audio as well); and Tidal might make it easier for subscribers to listen to Atmos-encoded multichannel music. I was quite confident about the first two predictions, moderately confident about the third, and only mildly so for the last one.
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